I think things would be a lot different than you think. Let's consider the movie Iron Man. It was a great movie, very exciting, and Robert Downey Jr. gave a stunning performance - not to mention the great special effects. Plus there was a strong anti-military-industrial-complex message. The movie cost $135 million to make. Your anti-competitiveness laws would make it illegal to charge more than like $200 for a screening, to cover the cost of the digital copy of the film and the maintenance of the theater - if you can squeeze 200 people into the theater, that's like $1 each. For the sake of argument, I'm going to assume that Iron Man in the real world made about $5 per ticket sold. Their worldwide gross so far is $569 million. If ticket revenues go down by 80%, Iron Man's gross would only be $113 million. That's less than the cost of making the movie. And since the movie would be readily available to download for free over the internet like 3 weeks before the theater release, theater revenues would be limited to people who actually prefer watching movies in theaters. To be extremely generous, I'll say that 10 million people go to see the movie at $1 each. Any movie that costs a cent more than $10 million will not get made. Goodbye special effects, goodbye big stars, goodbye digital editing. For that fucking price, you won't even get made-for-TV garbage.
Your anti-competitiveness laws
Obviously, things aren't quite that simple. They're not quite this simple either. And another point. You're correct in pointing out that there was music and literature and theater (but not film) before copyright laws. But hasn't the volume and access and diversity of entertainment gotten greater since copyright? I would argue that it has, and it's because the big money producers earn from copyright gets invested back into their own business. Make a few bucks on Fitzgerald's book, hand that money to Hemingway. Make a few bucks on Hemingway's book, hand that money to some other author.
The digitization of culture has put a great strain on our existing IP rights and protections, and some of the backlashes against those strains have caused even greater problems. But that's no reason to flush copyright down the toilet. There are better solutions out there, waiting to be found.
Oh, and how does DRM affect your freedom of speech?
How much of the money went into filling the pockets of the grossly over paid movie stars and fat cat producers?What if they were paid a similar wage to that of the average American?You could probably cut the budget by three quarters (a conservative estimate) and still have a great film.
Also, thanks to free downloads the film itself wouldn't need to be advertised at all which would cut the budget further and might have the affect of increasing cinema audiences rather than decreasing them.
QuoteOh, and how does DRM affect your freedom of speech? There are laws in place that make circumventing DRM illegal and therefore distributing or writing any code capable of doing this is also illegal.
Quote from: Aloone_Jonez on 8 August 2008, 22:21How much of the money went into filling the pockets of the grossly over paid movie stars and fat cat producers?What if they were paid a similar wage to that of the average American?You could probably cut the budget by three quarters (a conservative estimate) and still have a great film.It's true, a lot of the budget went to paying stars and producers, and we might never know exactly how much. But does that qualify them as grossly overpaid? Standard capitalistic procedure dictates that a worker is not going to work for less than he is worth unless he is desperate. Granted, the worth of actors and filmmakers is often tied to the potential box office draw. I think it stands to reason that a person who provides entertainment to 20 million people is entitled to more money than a plumber. You are totally for unequal pay for unequal work, as I recall.
Advertising is a pretty large part of any film's budget. If the Wikipedia numbers I gave earlier included advertising, then the advertising budget for Iron Man was probably about $30 million. However, with no advertising at all, how do they let people know that there is a new movie? Viral marketing by netfanboys who heard a rumor will only take you so far, and they are almost guaranteed to download it for free. The one and only way to make any kind of money whatsoever is to get people into the theaters - dvd sales are no longer viable. And since the take at the box office is waaaaay down, you have to fill as many seats as possible. Seats just don't fill themselves.